Wednesday, July 26, 2006

tv showrunners talk too much

It's probably not unreasonable to say that I do too much reading about television happenings (i.e. gossip) online.... but lately I've come across a disturbing trend.

Producers and showrunners talk too much. They should spend more time coming up with challenging storylines and aiming for good writing than gloating about how great their show is. The last two weeks or so have given a cavalcade of upcoming fall season previews by the major networks for television critics. At every reception and gala and panel they have proud television executives and producers and writers and the occasional star all showing up with bright smiles to talk about their next big hit. Of course, this is their job: to plug their show, to make sure people watch, to make money. Whether the show is actually good or not is an afterthought. (And sometimes, this question sneaks in on the faces of those smiling folks onstage).

But there comes a point when this goes a step too far. For instance, producers dropping tidbit after tidbit after vague tidbit after mannerism so that feverish geeks (i.e. me) can look up what they said/intuited in transcripts posted online. Let's take for instance The Powers That Be behind fans-are-foaming-at-the-mouth smash hits like "Lost" and "Desperate Housewives". "Lost" is already starting to flirt too heavily with advertising addenda, with junky 'mobisodes' and fictional commercials and myriad self-sponsored websites (opposed from independent fan sites) and podcast after podcast of the producers talking in circles about their vision for the show or whatever. Similar leakage is happening with the creatively putrefying "Desperate Housewives", with the showrunner admitting that this last season sucked really bad and how he has a brilliant plan to bring it all back, and opening bags of breadcrumbs to give us gratuitous hints of what he has in mind. I say don't worry, dear showrunners, your shows are unstoppable right now, and will be well into the next season.

My gripe: when you talk too much about your show, when you talk about the goings on behind it, when you talk about the process, it destroys the whole allure of the show in the first place. In a way, it's breaking the contract with the viewer to have the story remain self-contained. Someone who I think agrees with my line of thinking is Shonda Rhimes, the showrunner of another foaming-at-the-mouth hit, "Grey's Anatomy". She's garnered a reputation for herself among TV critcs and gossip raggers as a spoiler nazi, keeping the behind-the-scenes planning of her show under close watch and out of the loose lips of the critics and columnists. But.... isn't that her job? So far it's working.... "Grey's Anatomy" (despite the disturbing and potentially naughty title) is white-hot.

Yes, I understand that all that extra stuff (podcasts, mobisodes (?), trick websites, "The Lost Experience") is an advertising goldmine.... but as it rakes in cash, it starts eating away at the integrity of the show and of the canon of the story. All this isn't anything new, though.... networks have paraded their shows with fearless plastic stoicism since the beginning of television. They've all tried advertising gimmickery many times before.... it's inevitable for any hit, really. But keep in mind, the networks are in it for the money, not for the art. Sure they want the show to be successful on an artistic/storyline level, but only if it's successful in raking in revenue for the network (hence why truly fantastic television sometimes gets unceremonoiously canned). It's the job of the writers and showrunners, not the executives, to keep the integrity of the story alive and not to dangle morsels of gossip like meat on a hook to their greedy audience. In the end, that audience might be more grateful if things were kept under wraps, and the surprises to come would feel new and organic; that the show can stand on its own, and not planned and plotted and bragged about for everyone to read about.

3 comments:

Writeprocrastinator said...

"In the end, that audience might be more grateful if things were kept under wraps, and the surprises to come would feel new and organic; that the show can stand on its own, and not planned and plotted and bragged about for everyone to read about."

Then what would screenwriting magazines, festivals, websites, and comic conventions, do, in terms of content and marquee draws?

It's fascinating how showrunners have eclipsed screenwriters and to a lesser extent, directors, in terms of profile. As you've pointed out so well, not always for the betterment of the fans or the shows.

is that so wrong? said...

You know, I'm all for fan appreciation.... so all the speculation and criticism on fansites and magazines is good (and generates genuine interest). It's just when those showrunners get in on it that it seems too orchestrated.

Also.... I think you're right about showrunners running out the middleman writers. In the not-too-distant future (if not already) writing spec teleplays will be an absolute waste of time, because if you're not a part of the writer's room, there's no way to break in. Encouraging, right?

Writeprocrastinator said...

"Also.... I think you're right about showrunners running out the middleman writers. In the not-too-distant future (if not already) writing spec teleplays will be an absolute waste of time, because if you're not a part of the writer's room, there's no way to break in. Encouraging, right?"

That's really bad, it's hard enough to get in already. When people outside the system can see the trends within, it's time for an upheaval (yeah, that'll happen).